Song lists and accreditations
Act 1
Folly of Youth
Passports Ready*
I See You Through The Window/Soaring*
Out Of The Horses Mouth +
Argument
Only Human +
Does He Know I'm Here?*
16 Bars Out Of The Horses Mouth* (Original theme 'Out Of The Horses Mouth')
Angel Delight*
Allegory +
Briturkey
Can We Go Dancing?*
My Heart Bleeds
Do You Remember*
Believe What I See +
Who The Fuck Are You?*
The Murder
Turkish Delight
Act 2
Entr'acte
The Letter
Going Potty
Infinite Sadness
Good Man*
Kaddish
Over You
Jeremiad*
You Think I'm Stupid +
The Trial
Blue Eyes To Boot
Then It All Stopped
The Poisoning (original theme inside my dreams)
Wife's Doubt
Insult To Injury
Inside My Dreams*
Through The Years Part I*
Through The Years Part II
Not A Day Goes By
Always In My Life
Turkish Delight (Finale)
All songs written by Giles Howe except those marked * which were written with Katy Lipson, except the Jeremiad, which was written by Katy Lipson.
Katy acted as notation consultant to Giles Howe throughout the arrangement of this work; under her supervision as musical director, certain harmonies, accompaniments, and rhythms have been improved upon to maximise the music's potential. Some pieces written by Giles Howe are based on themes written by or with Katy Lipson.
Singers appearing in the recording 'Live At St Mary's' are Jane Garratt as Betsy Cohen, Jess Negus as the British Woman, Gareth Bretherton as the British Man, and Alexander Albrecht as the Turk. Backing vocals in 'Angel Delight' by Giles Howe. Piano played by Katy Lipson and Giles Howe, tyros and church organ played by Giles Howe.
Singers appearing in the recording 'Live At The Black Cap' are Natasha Day as Betsy Cohen, Sophie Jugé as the British Woman, Gareth Bretherton as the British Man, and Daniel Lawrence as the Turk. Piano played by Katy Lipson and Giles Howe. In this recording, all songs in Act I are played by Katy Lipson except 'Folly Of Youth' and 'Argument' which are played by Giles Howe. All songs in Act II played by Giles Howe except 'Good Man', 'Jeremiad', 'You Think I'm Stupid', 'The Trial', 'The Poisoning', and 'Through The Years' which are played by Katy Lipson.
Any similarities with real people, existing, fictionally or in reality, either living or deceased, is entirely coincidental.
Several people should be thanked for their time or effort, who, among others, include Christine Edwards, Peter Borthwick, Katherine Shirley, Frank Coido, John Himmelstein, David Tye, Daniel Gray, Andy Parry, Mariana, Marcus Donn, Robert Sandelid, and Arash Molavi.
All websites relating to the show are designed and maintained by Giles Howe. Artwork, costume-, make-up-, website-, and graphic design by Giles Howe, except the graphic design for the third production which was created by Ric Lipson.
Technical wizardry, sound engineering: Ric Lipson (1st and 3rd Production), David Tye (2nd production) and also James Wallace.
Co-director of 2nd Production: Becky Parry
Director of 3rd production: Daniel Lawrence
This work would never have ben made possible without the kindness of Deanne and Mike Garratt, Phil and Sue Howe, Torsten Friedag, Paul Howe and Ulrike Scholtz, Joy Howe, Ebony Sentongo.
Marketing consultant for 2nd production: Sean Egan
Copywriting: Nick Woolf @ Woolf Simmonds, 1 Great Cumberland Place, London
© 2006/7 All Rights Reserved
Royalties and copyright information
British law states that an individual's work is placed under copyright law as soon as it leaves that person's mind and is placed in some physical form, e.g. a musical work written in manuscript or recorded. Once in physical form, as long as it is an original work, copyright in that work is automatically vested in the person who put the concept into material form. "Turkish Delight" is fully protected under the international laws of copyright which are enacted in the UK as the 1886 Berne Convention, and the Copyright, Designs and Patents Act 1988. The rights of Giles Howe to be identified as the author of the work has been asserted by Giles Howe in accordance with the above act, he acknowledges Katy Lipson as a co-writer of certain pieces. See the section of this document entitled 'Accreditations' for a more detailed breakdown of writing credits. A copy of the libretto and score is archived at Woolf Simmonds Solicitors, One Great Cumberland Place, London, WIH 7AL, England. The sound recordings on www.jamendo.com are distributed under a 'creative commons' licence, details of which can be found on the website. A royalty fee (to be negotiated) is payable to Giles Howe and Katy Lipson every time "Turkish Delight" is performed in front of an audience, irrespective of whether that audience pays for attending or not. A fee is also to be paid if any sound recording of the show is sold for money, this fee can be discussed with Giles Howe and Katy Lipson. Organisations looking to produce the show must without exception obtain written permission to perform from Giles Howe prior to casting. A sound recording and video recording of all productions must be made, regardless of whether the full score is used, or just selections thereof, the rights to said footage belong to Giles Howe.
Although a cohesive piece of theatre, 'Turkish Delight' can still be regarded as a work - in - progress and is thus subject to change at the writers’ discretion.